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Many scenes literally take place inside an old ornate theater, with groups of office workers moving in choreographed unison, one scene gradually bleeding into another, and a character leaving a formal party by climbing a ladder leading to the catwalks overhead.

This stylized and overtly theatrical approach is visually intriguing — rich with opulent costumes and sets — but it also keeps those scenes at one remove from the viewer on an emotional level, insofar as the artifice of the storytelling becomes a deliberate part of how the story unfolds.

There is a great deal going on in Tolstoy’s story — with an ensemble of characters demonstrating the import of the book’s opening words, that, It’s a story about the elusive thing we call happiness; but it is also very much about great passion, social and personal hypocrisy, selfishness versus selflessness, emotional insecurity, jealousy, faith, fidelity, marriages both good and bad, social change, and the respective merits of rural and urban life.

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One of the latter discloses the thinking behind the costume design, which unexpectedly mixes 1950’s couture with 1870’s silhouettes.

In Anna’s case, the look they were after was ‘a distillation of chic, luxury, and elegance.’ For ages 16 : Mild sexual content.

Recovering Cal’s “lost manhood,” as Jacob puts it, involves an extreme make-over, Lothario-edition (first to go are the Super-Clips haircut and the wallet that, quite literally, closes with Velcro) — and the human re-engineering process that follows is quite funny!

The remodeled Cal starts to try his prowess at the bar (with such lovelies as Marisa Tomei); but, outward changes aside, his heart still beats for only one woman.

For sheer visual panache, elegant performances, and compelling storytelling, was nominated for Academy Awards for Cinematography, Music, Costume Design, and Production Design.

At BAFTA, it won Best Costume Design and was nominated as Best British Film of the Year and in four other categories.

“Crazy Stupid Love” (USA, 2011) (B): When you meet your soul-mate, it’s , right? He met the love of his life, Emily (Julianne Moore), in his teens.

She was his first and only love, and he never dreamt that that could change — right up until the day she abruptly announces (in the first few minutes of the film) that she wants a divorce. He retreats, in self-pity, to the local bar that happens to be the chief playing field of Jacob (Ryan Gosling), a smooth operator and expert pick-up artist who leaves with a different beautiful woman on his arm every night.

And, time and again, we catch glimpses (as does Anna) of the grinding wheels of a locomotive, as the implacable harbinger of inevitable doom.

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