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The film, centered around the tension and suspicion among Punjab's people during the Khalistan movement of the 80s is, for the most part, silent.

One, on watching Chauthi Koot, might recall 2014's Bengali film Asha Jaoar Majhe (English: Labour of Love) by Aditya Vikram Sengupta, which is also a similar low-budget indie production, that earned laurels worldwide, and was devoid of dialogue for its entire length.

Both the films have been chosen for the Un Certain Regard section of the competition.

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Will he develop a pan-Indian audience over time though? The Indian film scene is audience and box office-driven.

Right now, if Chauthi Koot's Facebook page is to be believed, the film is being screened daily at a little more than 20 screens all over India.

Singh, who shot to fame with his widely acclaimed arthouse gem Anhe Ghore Da Daan, has this time trained focus on the state-sponsored crimes in Punjab of the 1980s, and the resistance movement it spawned.

Meanwhile, Indian-origin British film-maker Asif Kapadia's Amy, documentary on the late R&B diva Amy Winehouse, is in fray in the Midnight Screenings section this year.

Cinema is, by definition, audio-visual art, but when it had to bear the brunt of telling stories, in order to be monetised and sold as a commodity, it began drawing from literature and theatre and consequently became more verbose, (hence, talkies emerged) and what was once just show, became show Cinema is, by definition, audio-visual art, but when it had to bear the brunt of telling stories, in order to be monetised and sold as a commodity, it began drawing from literature and theatre and consequently became more verbose, (hence, talkies emerged) and what was once just show, became show and tell.

The language of popular Indian cinema has become dumber by the decade and these days, even in seemingly 'intelligent' films like Madaari or Talvar, characters launch into fiery speeches and tell the audience ten times what the film is about.Wir verwenden Cookies, um Inhalte zu personalisieren, Werbeanzeigen maßzuschneidern und zu messen sowie die Sicherheit unserer Nutzer zu erhöhen.Wenn du auf unsere Webseite klickst oder hier navigierst, stimmst du der Erfassung von Informationen durch Cookies auf und außerhalb von Facebook zu.Ghaywan too took to Twitter to express his delight. Our first film Masaan is selected at Un Certain Regard section of Cannes 2015 (sic)," he tweeted.Also in contention this year is Gurvinder Singh's Chauthi Koot (The Fourth Direction).As they dig deeper into his life they discover angst, sexual frustration and paranoia that leads to a terrible end.

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