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Veering between moments of grotesque absurdity, tenderness, and tragedy, often within the space of a single scene, The Night Shift revolves around an isolated outpost staffed by a crew of three emotionally stunted employees.An eccentric series shot through with pathos alongside frenzied bouts of insanity, it is blessed by layered scripts replete with a focus on personal enslavement, consequences, the value of friendship, and a considered array of social issues including feminism, politics, modern celebrity culture, and Nigerian e-mail scams.

Nervy and unsure of himself, recoiling from the ramifications of leaving medical school, he has sought solace in regular paid employment whilst undergoing an existential crisis.

Escaping from the lifestyle imposed by his parents, working at the petrol station allows him to take control of his personal destiny for the first time.

Currently enjoying levels of popularity and visibility that may have seem impossible a few years ago, European TV drama has transformed from niche programming into a high profile regular fixture of BBC Four’s schedule.

After a two decade absence from our screens fans can now tune in each week to new series from across the continent.

Framed within its public service remit, BBC Four’s early forays into bringing subtitled drama back to our screens placed emphasis on cultural exchange and enlightenment.

As part of a season of programming entitled Wonders of Iceland the BBC made broadcasting history by being the first UK network to screen an Icelandic comedy series.

What may initially have started as a broadcasting experiment has been met with critical praise and an ever growing fanbase which is actively celebrating its appreciation on social media and at events such as the recent Nordicana festival.

With Channel 4 and Sky Arts now following the BBC’s example by acquiring subtitled content and giving it a hitherto undreamed of promotional push alongside a steady stream of releases from Arrow Films, aficionados are all too aware they are enjoying a golden age which would not have been feasible a few years earlier.

Equal parts character study, satire, civic commentary, the programme is decidedly politically incorrect and confrontational yet manages to never be anything less than magnificent.

Currently in the twilight period of his tenure as mayor of Reykjavík, Jón Gnarr has recently been generating column inches with the news that American publisher Melville House has acquired the rights to his political memoir and will issuing it later this year.

Screened nightly in two episode blocks by BBC Four, ‘s viewing figures were respectable and fans assumed that the station would pick up the sequel series.

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