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“I’ve been in relationships before where I am just confused.

And I’m never confused with him.”Lawrence and Aronofsky do seem like opposites in some ways, and there’s the age difference, but the partnership clearly appears to be working.

And this booze cost only .99, I tell her.“Wow,” she says, deadpan. I’m going to save it for company.”A few days prior, Lawrence had visited with the acclaimed American painter John Currin for the work that appears opposite. “He took photos, and posed me like one of those French girls. At 26, Lawrence is already one of the most successful and exalted actors on the planet.

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I think it’s going to be the kind of film that people argue about at dinner parties for months, if not years. A celebrated director (] works as a truthful, realistic relationship movie . At the moment, only a handful of people have seen the film, and Aronofsky is cautious about saying anything revealing.

I also can’t believe I took Lawrence to a sensory-deprivation tank after she saw it. “Different people will see it different ways, and I’m always inspired by films you remember and are still talking about a few days later.”After writing the script in a flurry—five days, he says—Aronofsky was thrilled to get Lawrence for the part, considering her hectic schedule and the fact that would begin with three months of rehearsals in a Brooklyn warehouse involving the primary cast, which besides Lawrence and Pfeiffer includes Javier Bardem and Ed Harris.“To get that type of commitment from an actor is hard,” he says.

(OK: It is not about sea horses from outer space who take over the White House.)The public’s first clue as to what lurks inside is an unsettling, multilayered film in which Lawrence gives a devastatingly beautiful performance that is equal parts vulnerability and rage and unlike anything she’s done before.

The film jarred me for days after I saw it, and I want——to see it again. but also works on an allegorical plane, too,” the soft-spoken director tells me in a New York City editing suite in early summer.

Lawrence tries to regulate it when she can—for example, she’s stopped trying to placate every selfie request. if I’m on an airplane and I have no makeup on, I don’t want to take a selfie that’s going to end up on E!

“I’m happy to meet people, give autographs, shake hands, and say ‘Thank you,’ ” she says. ”Lawrence’s beloved Pippi rambles out to where we’re sitting, which makes her nervous because the dog is smaller than a toaster, and up here in the hills, there are all kinds of predators who might enjoy a delicious Pippi sandwich.“Coyotes, bigger dogs, rattlesnakes, big crows,” Lawrence says. I’m going to be a great mother.”The next time I see Lawrence, it’s in Brooklyn, where she has gamely agreed to join me for more stillness: specifically, a visit to a sensory deprivation–tank spa called Lift.

“I wouldn’t have a job if people weren’t going to see my movies. Here’s the basic idea: You enter a room (alone), strip down, step into a handsome white tank that looks a little like an early-generation i Pod, and close the lid.

You float there by yourself, in darkness, for an hour, just you and your thoughts, and, if you like, a little mood music. It also may be completely the wrong time to do this, because Lawrence has just seen is about, say, sea horses from outer space who take over the White House, but I can’t.

“To get it from the biggest actors in the world is really, really hard.

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