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To loosen these restrictions, Wd W Review intends to establish itself as a premier forum of intelligent and multi-disciplinary discussion on the humanities, and their role at-large, so as to find not a new, but a greater politics. ——Chief Editors Defne Ayas, Adam Kleinman —Managing Editor Orit Gat (for any queries contact: oritgat[at]gmail) —Desk Editors Natalia Antonova (Moscow) James Bridle (Athens) Ben Eastham (London) Natasha Marie Llorens (Marseille) Gabriela Jauregui (Mexico City) Ruchir Joshi (Delhi/Calcutta) Ana Texeira Pinto (Berlin) —Emeritus Yasmine el Rashidi (Cairo) Adam Bobbette (Nusantara) Binnaz Saktanber (Istanbul) Yanis Varoufakis, with (Athens) Tirdad Zolghadr (Jerusalem) —Image Editor Pedro Neves Marques —Copy Editor Marnie Slater —Design Remco van Bladel —Design Assistant Andrea Spikker —Programming De Heren van Design Ritchy Höhne, Michael Höhne —Publisher Witte de With Center for Contemporary Art Rotterdam, the Netherlands —Support Stimuleringsfonds Creatieve Industrie —Current cover image Bas Princen ‘ Here, Wd W Review charges invited participants with a given motion or proposal to be deliberated, over time, in public.

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Subtitled 'Heroin Town', Louis visited Huntington in West Virginia, which has a population of 49,000 and is home to what Theroux called "the most deadly drug epidemic in US history".

Once a thriving town of steel mills and factories, Huntington is full of people who, deprived of prescription painkillers, have succumbed to heroin instead. Other stories abounded in a documentary that portrayed a grim America, while also grim was the Tuvan town of doomed alcoholics that we encountered in Russia with Simon Reeve (BBC2).

Theroux, who's come a long way since he made faux-naïf mocking documentaries about Paul Daniels, Christine Hamilton and the like, brought all his bemused earnestness to bear on these addicts, eliciting stories that would be beyond the reach of more conventional interviewers. Meanwhile, in the two-part Irish in Wonderland (RTÉ2), we only met people whose addiction was to wealth, status and bling.

"I feel weird watching you do something so dangerous," he remarked to a young woman who was shooting up in the room where they chatted. "I hate these programmes", Gerry from the Cooley peninsula said on Gogglebox Ireland (TV3), "they just make you realise how crap your own life is," but it was the programme itself that was crap.

The first takes the form of reports from several international editorial desks; the second weaves critical and innovative essays with editorial cartoons; the third invites an author to consider a single image through a speculative piece of writing; the last section layers texts commissioned thematically to address the same time and/or place so as to collectively draw a set of discrete volumes on each context in question respectively.

Our call for such an exchange comes at a time in which policies of economic austerity are pressuring the very resources (magazines, universities, public institutions, and so forth) that could propose alternatives to the threat of social and intellectual bottlenecking.But she went on to tell of her life and of the abusive boyfriend who hovered nearby. Perky presenter Yasmine Akram visited Manhattan, the Hamptons and the Riviera, and was so awestruck by all the money-chasing Irish émigrés she encountered that she never thought to question whether the flaunting of wealthy lifestyles was really a good thing. In the second instalment of Tunes for Tyrants (BBC4), Suzy Klein related how Richard Strauss, Germany's most celebrated composer in the 1930s and the father-in-law of a Jewish woman, accepted an invitation to be president of Reich music, thus giving credibility to a Nazi regime that banned any performances of Mendelssohn and other composers tainted by Judaism.It wasn't brave, it wasn't moral, Klein said, "but it's what real people do when living in a nightmare". John Boland Seventeen minutes into the second episode of Mc Mafia (BBC1) and the viewer had already been taken to Cairo, London, Mumbai, the Cayman Islands, Dubai, Prague and the Sinai desert. Christopher Hooton, Jacob Stolworthy An anthology series comprised of episodes disparate in tone, style and genre, Black Mirror seems to demand some sort of ranking collecting them together more than most shows.In The Deuce (Sky Atlantic) you really feel you're inhabiting the 1970s world of Times Square hustlers, pimps and prostitutes, but here you felt like detached observers of an uninvolving drama.By contrast, the opening instalment of Louis Theroux's Dark States (BBC2) brought you up close and personal with its unfortunate people.The sexual innuendo, though, is more upfront than it was in her heyday, the host opting for Julian Clary mode when telling a former beauty contestant "I entered Mr Ireland.

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